The oddball relationship between Tod the Fox and Copper the Hound has stood the test of time as a popular for kids. Twenty-five years later, the sequel was made and the decision was to pair it with the country music market. That choice has worked magic, bringing a consuming soundtrack to a tremendous romp of a story that plays off the modern characters and situations in a blueprint that makes it feel like only days have passed instead of years.
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Country music legends Reba McEntire and Jeff Foxworthy head up the cast of squawk talent. They’re joined by Patrick Swayze, who even joins in on some of the songs.
Although this time out the story feels a shrimp too familiar (two friends busted up by one friend’s drive for fame), the fun that came alive in THE FOX AND THE HOUND strikes again. The chases that occur throughout the film are a delight to study. One thing always leads to another, and chaos objective builds and builds till Tod and Copper recognize around in shock at all they’ve unwittingly destroyed. The camaraderie between the two is tremendous, and Reba and Patrick’s addition to the cast is well done for the most piece.
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The only thing that slows the movie down somewhat is the deepening of the relationship issues between Dixie (Reba McEntire) and Cash (Patrick Swayze) . That subplot comes on a petite too strong and steals too grand of the movie occasionally.
THE FOX AND THE HOUND 2 is definitely a keeper, one that belongs on the family DVD shelves. Sometimes sequels don’t equal the originals, but this one comes stop, and it provides a whole recent musical sound that is heartwarming and makes you want to gather up and dance. Runt Gargantuan Town’s “When We’re Together” is pure dynamite.
For once I was expecting total disappointment and got better than I ever would have hoped for. Yes, this is a “midquel,” but once you’ve seen the (astonishing) first you can sort of imagine where these events might fit in. This has its contain climax and all, but the place fits within the original’s parameters. It might not beget 100% sense, but to go wait on and do something like this is elegant tough. It’s all suitable.
So, what’s ample about The Fox and the Hound 2? Remarkable more than anyone expects. First, the determined animation. It, and the scenery, are amazing. Luminous, fearless, knowing, modern colors, detailed and true-to-the-first backdrops. Very expressive characters who are objective toothsome to watch–the design the dogs depart is improbable and well done. Obviously the animation is not perfect; it never is in ANY engrossing film. There will always be flawed frames. But for a Disney sequel of all things, this certainly seems top-knotch.
As to the country music, well, even if you’re not normally a fan, there is nothing to abhor about the movie’s songs. Particularly “Salubrious Doggie, No Bone.” (Immense song. Like “Streets of Gold,” it’s sung to a young animal to educate them about something [it's really about herself, and what she's learned the hard method about relationships and being 'at the top.'] And ain’t that what life is, too, though? “It’s all, `Good doggie,’ but no bone!”) They’re nicely done by stars from the heart of country music, as explained on the DVD bonus feature.
And the sage? Surprisingly huge too; expedient dialogue, witty and amusing bits, apt character development. None, or very miniature of, the usual sequel hokiness and cheese I’d anticipated. The epic of the county pleasing and Singin’ Strays band is actually very believable. There are so many highlights it’s hard to remember them all, but the scene approach the demolish, in which the group performs for a jolly talent scout outside a quaint, frail diner comes to mind for one. The setting fair helps to originate the chronicle work; that puny diner is so cute, and so perfect for the scene.
I’m tranquil dismayed to peek sneak peeks for Cinderella 3 and The Itsy-bitsy Mermaid 3 on the DVD, but at least this movie gives me hope that somebody aloof may know what they’re doing making these sequels. Then again, this movie was almost tailored directly to me. More than anything I am a sucker for singing and dancing dogs: prove me a film centered around that, and you’ve got me. I like to imagine a world where everyone’s a dog and there are musicians along the lines of the Singin’ Strays anyway, but even without such a treasure for this type of thing, you can enjoy the movie. It stands well enough on its contain. But I’m saving the best parts for last.
Yes, it’s glorious original; far from perfect, of course, but I won’t race down all of the weaker points because as with any sequel, there are many. However, they don’t scoot down the mammoth narrate. Tod and Copper are naturally your young and precious main characters, but Chief, Widow Tweed and Amos Slade haven’t been left out–or ruined, either. Chief is especially well inspiring and a satisfactory source of humor (and kinda resembles Tramp.) The one character, though, who in my view really makes the movie great–in fact she makes the movie–is Dixie. When I first saw her and Cash on the mask, my impression was: `OMG! It’s Dodger and Rita from `Oliver and Company’ redone!’ Because Cash’s bandana HAS to be an homage to Dodger. And Dixie has that same sort of search for as Rita, perhaps somewhat more polished (which is my common ‘look’ in the world and when I discover such a character, it’s instant Approved) –seriously, she’s her cover-art twin.
Well, turns out Dixie is something like the country cousin of Sasha LaFleur, another sequel-starring performer and Rita-type. (There’s a proud diminutive tradition of spirited Saluki-like dogs, of which Rita, Sasha, & Dixie are the main representatives, which I have adored with a strong passion since childhood!) Dixie also has her similarities with Georgette, the Oliver & Company Poodle. A force to be reckoned with and of course the treasure interest of Cash, she’s the most keen character. Thanks to reveal business, her and Cash’s relationship is a very rocky road. Visually Dixie, like her predecessors, is an extraordinary character to watch; the blueprint she moves and dances fair perfectly captures how you’d want to peek if you were a dog–at least, how I would! She steals every scene she’s in, & has an awesome personality that includes a devious go, and I’m happy she’s such a central character. Her song is probably the best section of the film. In fact, this movie probably should have been a separate, Singin Strays-centric non-sequel. So to wrap up, this movie basically blew me away–two thumbs up impartial for pretty me.
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